Exterior view of the Jeunesses Musicales of Canada, as presented at Expo '67. Annotation on slide reads, 'Theatre' and 'Cité du Havre' and is numbered 4.
View of buildings that were part of the theme pavilion 'Man the Producer' at Expo '67. The buildings are pictured across the St. Lawrence River, with the river in view. Annotation reads, 'Expo', 'Man the Explorer', 'St Helene' and '(1) of panorama.' Slide is numbered 9.
View of a large crowd of people gathered around the Canadian Pavilion exhibition at Expo '67. Pictured in the image is an installation that was called the 'People's Tree'. Annotation on slide reads, 'Canada' and 'N.D'. Slide is numbered 78.
View of an exhibition that was called the 'Indians of Canada' pavilion at Expo '67. This exhibition was set up as a separate entity to the various provincial Canadian pavilions and presented stories of colonial resistance. The pavilion also housed contemporay art. The totem pole pictured was carved by Kwakwaka’wakw artists Tony Hunt and Henry Hunt. Annotiation on slide reads, 'Native Indian' and 'N.D'. and is numbered 83.
View of 'Habitat' or 'Habitat 67' as presented at Expo '67. Habitat is a housing complex at Cité du Havre in Montreal, Quebec that was designed by Israeli-Canadian architect Moshe Safdie and built for Expo '67. Annotiation on slide reads, 'Habitant' and is numbered 7.
A view of Expo '67 with various pavilions pictured. The German pavilion can be seen in the back right corner and the Cuban pavilion to the right. In front are two red and white striped tents and people gathered on the side of the St. Lawrence River. Annotation on slide reads, 'Expo', 'German theme: Man the Producer' and 'N.D.' and is numbered 33.
An interior view of an Arthur Erickson designed structure built for the 'Man in the Community' (or sometimes referred to as 'Man in the City') theme pavilion at Expo 67. Part of the intention for this exhibition was to highlight construction techniques. In this image you can see the intricate design of reducing hexagons. The layers of hexagonal beams are placed with the corners of each subsequent one resting on the sides of the former. Annotation on slide reads 'Man and his Community' and is numbered 6.
A view of the exterior of the Arthur Erickson designed structure built as part of 'Man in the Community' at Expo '67. The structure was built using gulum box beams formed into hexagons and placed together in a lattice structure with plastic shingle roofs for each layer. This view emphasizes the immense scale of the structure with small figures seen walking nearby, a highway pictured in the background and greenspace in the foreground. Annotation on slide reads,' Man and his Community' and 'Cité du Havre' and is numbered 5.
A close up view of the housing complex 'Habitat' at Expo '67 pictured in front of the St. Lawrence River with waves crashing in the background. From this view, you can see the balconies and walkways designed as part of this housing complex. Habitat was designed by Israeli-Canadian architect Moshe Safdie and built for Expo '67. Annotation on slide reads, 'Habitant' and 'Cité du Havre' and is numbered 8.
View of Expo '67 from across the St. Lawrence River. Annotation on slide reads 'view', 'expo' and 'overall' and is numbered 3. Likely a view from the Cité du Havre.
View of an exhibition that was called the 'Indians of Canada' pavilion at Expo '67. This exhibition was set up as a separate entity to the various provincial Canadian pavilions and presented stories of colonial resistance. The pavilion also housed contemporay art. The totem pole pictured was carved by Kwakwaka’wakw artists Tony Hunt and Henry Hunt. Annotation on slide reads,'Kativak Roof' and 'N.D' and is numbered 82.
From this photograph you can see many of the Expo 67 pavilions at Cite du Havre and Île Sainte-Hélène, including Buckminster Fuller's geodesic dome at the United States pavilion. Also pictured is the Expo mini rail. Annotation on slide reads 'St Helenes' and 'ND'. Slide is numbered 31.
This view of Expo 67 from across the St. Lawrence River highlights the scale of Buckminster Fuller's geodesic dome at the United States pavilion. Also pictured is a tram carrying viewers. Annotation on slide reads, 'St Helene,' 'Expo' and '(2) of panorama' and is numbered 10.
A whalebone sculpture by Witold Kuryllowicz and John Schreiber, which depicts a Viking ship. This sculpture was displayed at the Atlantic Provinces Pavilion at Expo '67. Annotation on slide reads, 'Atlantic Prov' and 'ND' and is numbered 85.
Interior view of the beer haus at the German pavilion at Expo 67. Unknown people are gathered. Annotation on slide reads, 'beer haus' and 'expo'. Slide is numbered 91.
This aerial view of the Katimavik (Inuit for 'Gathering Place'), a large-scale inverted pyramid, showcases a variety of sculpture by Indigenous artists in Canada. Annotation on slide reads, 'Kativak' and 'ND'. Slide is numbered 81.
View of Expo '67, with the Western Canada Pavilion, France Pavilion and mini rail represented alongside a large crowd. Annotation on slide reads, 'French W. Canada' and 'ND'. Slide is numbered 40.
View of the pavilion of the Republic of China at Expo '67 in Montreal, Canada. Annotation on slide reads, 'China (Formosa)' and 'S.H'. Slide is numbered 18.
This view of the Katimavik("Gathering Place" in Inuit) at Expo '67 emphasizes the scale of the inverted pyramid, with people walking on top, viewing the exhibition and crowds gathered on the street level. '67. Annotation on slide reads, 'Kativak' and 'ND'. Slide is numbered 80.
View of a large crowd of people gathered around the Canadian Pavilion exhibition at Expo '67. Pictured in the image are the installations, 'People's Tree' and 'Katimavik', as well as the Canadian flag. Annotation on slide reads, 'Kativak' and 'ND'9. Slide is numbered 79.
This pavilion at Expo 1967, designed by Hans Kleefeld and Alistair Justason, was based on the theme 'A Place to Stand, A Place to Grow'.View of Expo 67. Annotation on slide reads, 'Nova Scotia'. Slide is numbered 87.
People walking along a pathway towards the geodesic dome that became one of the most popular exhibits at Expo '67. In front of the dome, the rail structure for the mini rail taht travelled through the building can be seen. American flags are pictured flying along the pathway. The geodesic dome was designed Buckminster Fuller. Annotation on slide reads, 'U.S', 'S.H' and is numbered 12.
An opulent chamber inside the Royal Palace of Aranjuez, featuring a grand piano, a vase of dried flowers, a large mirror and a mantle clock. All of these objects are ornate and gilded. Built in the 16th century, the Royal Palace of Aranjuez is one of the official residences of the Spanish Royal family. Annotation on slide reads, " Aranjuez Palace Music Room." Image processing: cropped, rotated.