Carter, Tom

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

Planning drawing for False Creek. This drawing is more focused on Downtown Vancouver than the final painting. The perspective, above the Granville Street Bridge, is different from the perspective Carter used in the final painting.

1 of a set of 24 panels used to plan the painting False Creek. The entire set consists of 4 rows and 6 columns of panels.

Planning drawing for False Creek. This drawing is more focused on Downtown Vancouver than the final painting. The perspective, between Cambie Street and Main Street, is different from the perspective Carter used in the final painting.