McCance, Gail

McCance creates a set design in watercolors for Act 2, scene 2, of the 1959 Revival of Theatre Under the Stars production of 'The Chocolate Soldier.' Set depicts a room with a short staircase and elevated platform.

McCance creates a set design in watercolors that is rather eye catching. A pink ladder, and pink bucket, and pink stars are featured prominantly. This set was for the 1963 Theatre Under the Stars production of Carousel.

McCance creates a set design in watercolors that is a visual masterpiece. It depicts a tree in the shape of a large hand set in a forest. This set design was created for an undated production of Brigadoon.

McCance creates a fully black cover to obscure parts of an unknown set design. The Cover also features internal borders featuring flowers and consists of a large empty space for part of a set design to show through.

McCance creates a setpiece in vivid watercolor depicting a royal bed chamber. This production is unknown, but it is for Act II and III.

McCance creates a setpiece in watercolor featuring a lean-to shanty, wood stove, weathervane, and tree, set against a dark background. Covering this watercolor is a thin film that acts as either a protector or as an additional component to the scene. Created for the 1954 Theatre Under the Stars production of "Oklahoma!"

McCance creates two setpieces in ornate watercolors depicting scenes for an unknown production. The first is an outdoor scene featuring the street, several beautiful homes and a bench under a tree. The second is regal looking room with beautiful molding and curtains around the doors and windows.

McCance creates a setpiece in watercolors depicting a beautiful forest scene with intricate details on black trees and canopy set against a blue sky. Production title and date unknown.

McCance creates a setpiece in ornate watercolor depicting three stages, the center being prominant. The production title and date is unknown, however it was created for Acts 2, 3, and 5.

McCance creates a setpiece in watercolors depicting a vivid impression of flats within Greenwich Village, New York City. Created for the Wonderful Town production of 1962.

McCance creates a setpiece in vivid watercolor depicting a beautiful royal room. This is was created for a Theatre Under the Stars production, perhaps The King and I in 1958.

McCance creates a watercolor featuring black tree trunks and the underside of the forest canopy in a beautiful night scene. McCance includes details on how this item should be created in real life and includes the dimensions. The reverse features stage end pieces that will be incorporated into the forest scene.

McCance renders a beautiful setpiece for an ornate balcony scene in blue and gold. Performance is unknown.

McCance renders a setpiece in beautiful watercolors to render a remarkable image depicts a team's locker room that features the lockers, a bench, a wooden box on the floor, several boxes above the lockers, and clothes in the lockers. The reverse features an odd object with unique squares. Created for the Production of Damn Yankees, 1958.

McCance renders a setpiece in pencil and subsequently applies wonderful watercolors to render a remarkable image. The image depicts a home set above a cliff in the background, a fishing hut on an island in the middle, and a building with a pier and fence in the foreground. Unknown production.

A pen and pencil blueprint showing where to install new permanent maskings along five different planes within the Malkin Bowl outdoor theatre in Vancouver, B.C., Canada. Includes a scale, and is dated to March 18th, 1963.