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Syd Freedman's financial notes on the Studio Theatre's showing of the film Chastity (1969).

An exhibition catalogue documents Robert Young's art career, which is designed and published in an exhibition by the Oden Wagner Gallery from April 2 to April 25.

Syd Freedman's "Manager's Courtesy Pass" that was created by twentieth century Theatres. The pass reads that it is "not good" on Saturdays, Sundays, and holidays.

Syd Freedman's financial notes on the Studio Theatre's showing of the film You Are What You Eat (1968).

Black and white photograph of Syd Freedman and his family posing with a horse at Lansdowne Park Racetrack in Richmond, British Columbia.

Syd Freedman's financial notes on the Studio Theatre's showing of the film Last Summer (1969).

In my Small Pavilion is a collection of essays by Robin Laurence and Robert Stacey discussing the works of Robert Young. The catalogue accompanied an exhibition put on by the Atelier Gallery. The essays explore Young's personal and professional…

Black and white photograph of Syd Freedman talking to Wasserman and Ackery at an unknown event. Wasserman is holding a microphone. All three men are wearing suits.

Letter written by David Griesdorf to Syd Freedman congratulating Syd Freedman on his recent marriage to Marjorie Shine.

Studio Theatre courtesy pass. The pass notes that it cannot be used on Saturdays or holidays.

Syd Freedman's financial notes on the Studio Theatre's showing of the film Lost Sex (1966).

Syd Freedman's 1966 Variety Clubs International card, designating him as a barker.

Syd Freedman's financial notes on the Studio Theatre's showing of the film The Conjugal Bed (1963).

Syd Freedman's financial notes on the Studio Theatre's showing of the film Laurel and Hardy's Laughing 20's (1965).

Letter written by R. Auerbach to Syd Freedman on behalf of himself, David Griesdorf, and Nat Taylor congratulating Syd Freedman on his recent marriage to Marjorie Shine.

Black and white photograph of a group of people mingling in the lobby of Lougheed Mall Cinemas.

An exhibition catalogue documents Robert Young's art career between 1974 and 1984, emphasizing his transition from an eclectic postmodernism to a re-examination of analytic cubism. The catalogue is designed and published in an exhibition by the…

Syd Freedman's 1967 Variety Clubs International card, designating him as a barker.

Letter written by S. Rolston, Secretary Treasurer at Canadian Picture Pioneers, to Syd Freedman thanking Syd Freedman for his and his workers' assistance at Sunday night shows.

Typed document detailing Syd Freedman's work experience from 1943 to 1989.

Syd Freedman's financial notes on the Studio Theatre's showing of the film The Birds, the Bees and the Italians (1966).

Six black and white photographs of Syd Freedman posing behind his desk. One photograph has been cut out of the series.

Letter written by James W. Melvin inviting ministers and their wives to see the film Albert Schweitzer (1957) at the Studio Theatre on Friday, June 20th or Saturday, June 21st, 1958.

Syd Freedman's financial notes on the Studio Theatre's showing of the film Lord of the Flies (1963).

Syd Freedman's membership card for the Motion Picture Theatre Association of British Columbia when he worked at Lougheed Mall Cinemas.