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Syd Freedman's financial notes on the Studio Theatre's showing of the film Chastity (1969).

Syd Freedman's "Manager's Courtesy Pass" that was created by twentieth century Theatres. The pass reads that it is "not good" on Saturdays, Sundays, and holidays.

Syd Freedman's financial notes on the Studio Theatre's showing of the film You Are What You Eat (1968).

Black and white photograph of Syd Freedman and his family posing with a horse at Lansdowne Park Racetrack in Richmond, British Columbia.

An invitation to Doreen Dombrowski and William Errington’s (Susan Tolway’s brother) wedding on August 19, 1978 at Bethel Pentecostal Church (now Bethel International Church) on East 33rd Street in Vancouver. The wedding reception location (Bayshore…

Syd Freedman's financial notes on the Studio Theatre's showing of the film Last Summer (1969).

Black and white photograph of Syd Freedman talking to Wasserman and Ackery at an unknown event. Wasserman is holding a microphone. All three men are wearing suits.

This document is a report describing existing methods of technology education and arguing that those methods must be rethought. The report argues for increased engagement with life cycles and ecology in educational and design processes.

Letter written by David Griesdorf to Syd Freedman congratulating Syd Freedman on his recent marriage to Marjorie Shine.

Studio Theatre courtesy pass. The pass notes that it cannot be used on Saturdays or holidays.

This document is a study of the value and return on training investment of apprenticeship in British Columbia. The study makes the case for apprenticeships, finding a positive return on investment.

Syd Freedman's financial notes on the Studio Theatre's showing of the film Lost Sex (1966).

Syd Freedman's 1966 Variety Clubs International card, designating him as a barker.

Syd Freedman's financial notes on the Studio Theatre's showing of the film The Conjugal Bed (1963).

This remembrance of Gertrude Hood has no author attached. (It may be Susan Tolway piecing together some patchwork stories about her grandmother, since her mother, Elizabeth, is referred to in the third person here.) Many of the memories here suggest…

This document is a program for the CAF-FAC 2008 Conference. The program includes brief descriptions of the various sessions and presentations offered at the conference.

Syd Freedman's financial notes on the Studio Theatre's showing of the film Laurel and Hardy's Laughing 20's (1965).

Letter written by R. Auerbach to Syd Freedman on behalf of himself, David Griesdorf, and Nat Taylor congratulating Syd Freedman on his recent marriage to Marjorie Shine.

Black and white photograph of a group of people mingling in the lobby of Lougheed Mall Cinemas.

Syd Freedman's 1967 Variety Clubs International card, designating him as a barker.

Letter written by S. Rolston, Secretary Treasurer at Canadian Picture Pioneers, to Syd Freedman thanking Syd Freedman for his and his workers' assistance at Sunday night shows.

Typed document detailing Syd Freedman's work experience from 1943 to 1989.

Syd Freedman's financial notes on the Studio Theatre's showing of the film The Birds, the Bees and the Italians (1966).

This document is a handbook to the Teacher Education Program at the University of British Columbia's Faculty of Education. Included in the handbook are an equity statement, mission statement, and a breakdown of the program and practica.

Six black and white photographs of Syd Freedman posing behind his desk. One photograph has been cut out of the series.